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"In Gabrielle Le Bayon’s films landscapes, people and myths come together in 'observational' moving images that are further combined with voice-over texts from interviews and readings. This dense relationship between image and text creates thought-provoking art works, in which classical, narrative elements are combined with the filmic tradition of the ‘essay film’. In her film practice, the artist is on the search for patterns and analogies that reach deeper into the surface of the image, into a kind of ‘DNA' of places and emotions. Ancient myths, those of classic Greek as well as pagan ones, are used as poetic tools to unearth the narrative beyond what the eye can see. The intellectual rigour of Le Bayon’s thinking shows her ability to represent complex theoretical and art historical thoughts in simple images.
Le Bayon’s fascination with the subject of mythology (her films ‘Antigone Millennium’ (2012) and ‘Return’ (2014) are both based on classical Greek texts) leads her to explore the history of spiritual and political communities that functioned as an alternative to dominants mode of co-habitation. Myth is central in her work, as any autonomous social structure, which also claims new spiritual believes as their own. Le Bayon’s political subtext is also reflected in and folded into the formal aspect of her films in that they resist the kind of ‘quick-fix’ video aesthetic. One can find a political stance in the artist's interest in historical alternative living organisations. In a contemporary consumer-based world, in which homogeneity is a precondition for an efficient market ideology, Le Bayon is exploring historical areas of resistance that could serve as models for thinking about how to live in today’s context differently."

Maxa Zoller, Director for International Women Film Festival Dortmund/Köln, June 2015

Gabrielle Le Bayon’s fictional and semi-fictional works focus on the relationship between female representation, myth and History, exploring areas of resistance within our everyday environment. She holds a BA in Film from the London College of Communication (2005) and an MA in Photography from the Royal College of Art (2012). In 2019 she was selected for FID Lab at FID Marseilles.

Les films et les installations de Gabrielle Le Bayon mêlent récit et expérimentation. Ils se centrent sur la relation entre représentation de la femme, mythe et Histoire en regard avec les zones de résistance dans notre environnement quotidien. Gabrielle Le Bayon obtient un BA Cinéma au London College of Communication (2005), et un Master Photographie au Royal College of Art (2012). En 2019 elle est sélectionnée au FID Lab du FID Marseille.